https://nataliebrueck.com Natalie Brueck Sun, 26 Jul 2026 17:10:26 +0000 https://nataliebrueck.com en https://nataliebrueck.com/Performance-at-Casino-Luxembourg Wed, 01 Jul 2026 12:01:07 +0000 Natalie Brueck https://nataliebrueck.com/Performance-at-Casino-Luxembourg Performance at&nbsp; Casino Luxembourg&nbsp; <img width="1632" height="1260" width_o="1632" height_o="1260" data-src="https://freight.cargo.site/t/original/i/82c0cad41fbd71cc57d87c37ba479f8e8700aada24f40184a171860e9af437d8/Bildschirmfoto-2026-07-01-um-14.22.05.png" data-mid="249965146" border="0" src="https://freight.cargo.site/w/1000/i/82c0cad41fbd71cc57d87c37ba479f8e8700aada24f40184a171860e9af437d8/Bildschirmfoto-2026-07-01-um-14.22.05.png" /> EN2. August 2026, 16:00–16:35 UhrCasino Luxembourg – Forum d'art contemporain, Luxembourg Working On The Imaginary Object is developed at Casino Luxembourg during a one-week intensive workshop with a group of performers. Together, we create a choreography based on collective exercises that explore processes of attention, coordination, and imagination. Throughout the workshop, situations emerge that can only be resolved through the group's collaborative engagement. From fragile and powerful, hesitant and decisive moments, a sequence of moving images unfolds, accompanied by a live-modulated soundscape by Stefan Zintel. The performance explores how an imaginary object is shaped through shared perception and collective action, continuously transforming throughout the process. DE Performance2. August 2026, 16:00–16:35 UhrCasino Luxembourg – Forum d'art contemporain, Luxembourg Working On The Imaginary Object entsteht im Casino Luxembourg im Rahmen eines einwöchigen Intensivworkshops mit einer Gruppe von Performer*innen. Gemeinsam entwickeln wir eine Choreografie aus kollektiven Übungen, in denen Prozesse der Aufmerksamkeit, Koordination und Imagination im Mittelpunkt stehen. Immer wieder entstehen Situationen, die nur durch das Zusammenspiel der Gruppe gelöst werden können. Aus fragilen und kraftvollen, zögernden und entschlossenen Momenten entwickelt sich eine Abfolge bewegter Bilder, begleitet von einem live modulierten Sound von Stefan Zintel. Die Performance untersucht, wie sich ein imaginäres Objekt durch gemeinsame Wahrnehmung und Handlung formt und fortwährend verändert. https://nataliebrueck.com/Public-Rehearsals-Offentliche-Proben Sun, 26 Jul 2026 17:10:26 +0000 Natalie Brueck https://nataliebrueck.com/Public-Rehearsals-Offentliche-Proben Working on the Imaginary Object | Public rehearsals&nbsp; <img width="4496" height="3000" width_o="4496" height_o="3000" data-src="https://freight.cargo.site/t/original/i/47e110fa925bc260b39c65c018cb04bdf95487e081f538bdaeead1cd4da31dc7/Natalie-Bruck_Performanceworkshop-an-der-02-Hochschule-der-bildenden-Kunste-Saar_2022.JPG" data-mid="250731393" border="0" src="https://freight.cargo.site/w/1000/i/47e110fa925bc260b39c65c018cb04bdf95487e081f538bdaeead1cd4da31dc7/Natalie-Bruck_Performanceworkshop-an-der-02-Hochschule-der-bildenden-Kunste-Saar_2022.JPG" /> ENÖffentliche Proben27.07.2026 — 31.07.202615:00 -19:00Casino Luxembourg – Forum d'art contemporain, Luxembourg In the lead-up to my performance Working On The Imaginary Object, which will be presented on August 2, we invite the public to experience the rehearsal process throughout the week. The open rehearsals offer an insight into our artistic working process, in which relationships, attention, and movement are constantly shifting, allowing a choreography to gradually unfold. DE Öffentliche Proben27.07.2026 —&nbsp;31.07.2026 15:00 -19:00 Casino Luxembourg – Forum d'art contemporain, Luxembourg Im Vorfeld meiner Performance Working On The Imaginary Object, die am 2. August aufgeführt wird, laden wir das Publikum ein, den Probenprozess während der gesamten Woche mitzuerleben. Die offenen Proben geben Einblick in unseren künstlerischen Arbeitsprozess, in dem sich Beziehungen, Aufmerksamkeit und Bewegung fortwährend verändern und sich schrittweise eine Choreografie entfaltet. https://nataliebrueck.com/Holiday-workshop-at-Casino-Luxembourg Wed, 01 Jul 2026 12:24:26 +0000 Natalie Brueck https://nataliebrueck.com/Holiday-workshop-at-Casino-Luxembourg Holiday workshop: My Invisibel Object&nbsp; at&nbsp;Casino Luxembourg&nbsp; <img width="1302" height="1086" width_o="1302" height_o="1086" data-src="https://freight.cargo.site/t/original/i/6b45c7f92bf39cf52f92a44d9b4d515108c44e08a5b5f1e13ac8dd4b848be250/Bildschirmfoto-2026-07-01-um-14.23.59.png" data-mid="249965412" border="0" src="https://freight.cargo.site/w/1000/i/6b45c7f92bf39cf52f92a44d9b4d515108c44e08a5b5f1e13ac8dd4b848be250/Bildschirmfoto-2026-07-01-um-14.23.59.png" /> ENWorkshop&nbsp;22.07.2026, 09h00 —&nbsp;16h30Casino Luxembourg – Forum d'art contemporain, Luxembourg Holiday workshop with artiste Natalie Brück Have you&nbsp;ever&nbsp;had&nbsp;something&nbsp;that&nbsp;you&nbsp;alone&nbsp;you&nbsp;could&nbsp;see? An&nbsp;idea, a&nbsp;wish, a secret –&nbsp;something&nbsp;very&nbsp;special&nbsp;that&nbsp;exists&nbsp;only&nbsp;in&nbsp;your&nbsp;imagination or in&nbsp;your&nbsp;feelings?&nbsp; &nbsp; What is an imaginary object? It could be a shape, a feeling, a thought&nbsp;or something useful. In this one-day workshop, children discover how to invent,&nbsp;describe&nbsp;and bring this object to life, to&nbsp;invent&nbsp;an invisible,&nbsp;imaginary&nbsp;object&nbsp;that&nbsp;only&nbsp;they&nbsp;know about. They&nbsp;create&nbsp;it,&nbsp;give&nbsp;it&nbsp;a&nbsp;name, and&nbsp;add&nbsp;movement&nbsp;and&nbsp;sound. In groups, the&nbsp;children&nbsp;act&nbsp;out short&nbsp;scenes&nbsp;based&nbsp;on the&nbsp;object. &nbsp; &nbsp; At the end, it will&nbsp;disappear&nbsp;again… The&nbsp;children&nbsp;explore&nbsp;their&nbsp;imagination in a&nbsp;playful&nbsp;way, express&nbsp;their&nbsp;ideas&nbsp;through&nbsp;speech and&nbsp;movement, and&nbsp;sharpen&nbsp;their&nbsp;perception. The workshop boosts&nbsp;creativity, communication and the&nbsp;joy&nbsp;of&nbsp;creating&nbsp;together!&nbsp;&nbsp;€14 / €12 with the Klik-Kaart / €1.50 with the KulturpassDon't forget to bring a snack for the morning break and lunch, or indicate when booking if you would like your children to eat a veggie or meat sandwich (+ dessert) at Casino Luxembourg for €10. During the lunch break, the children will be supervised by Casino Luxembourg's mediation team. Reservation &nbsp; DE Workshop22.07.2026, 09h00 —&nbsp;16h30Casino Luxembourg – Forum d'art contemporain, Luxembourg Was ist&nbsp;ein&nbsp;imaginärer&nbsp;Gegenstand? Er&nbsp;kann&nbsp;eine&nbsp;Form,&nbsp;ein&nbsp;Gefühl,&nbsp;ein&nbsp;Gedanke&nbsp;oder&nbsp;ein&nbsp;nützliches&nbsp;Objekt&nbsp;sein. Die Kinder&nbsp;entdecken,&nbsp;wie&nbsp;sie&nbsp;diesen&nbsp;Gegenstand&nbsp;erfinden,&nbsp;beschreiben&nbsp;und&nbsp;bewegen&nbsp;können. Kannst du dich an eine Idee, einen&nbsp;Wunsch, ein Geheimnis –&nbsp;an&nbsp;etwas ganz Besonderes&nbsp;erinnern, das nur in deinem Kopf oder deinem Gefühl existiert? In diesem Workshop erfindest du deinen eigenen, unsichtbaren Gegenstand. Du baust ihn, gibst ihm einen Namen, eine Bewegung, ein Geräusch. Und dann wird deine Idee lebendig – mit der ganzen Gruppe!&nbsp; Gemeinsam in der Gruppe spielen&nbsp;wir&nbsp;kleine Szenen, in denen&nbsp;dein Gegenstand dargestellt wird. Am Ende verschwindet er wieder... aber nur für die Augen. Die Kinder lernen,&nbsp;sich&nbsp;spielerisch&nbsp;auf&nbsp;das&nbsp;Imaginäre&nbsp;einzulassen, eigene&nbsp;Vorstellungen in&nbsp;Sprache&nbsp;und&nbsp;Bewegung&nbsp;auszudrücken&nbsp;und&nbsp;ihre&nbsp;Wahrnehmung&nbsp;zu&nbsp;schärfen. Der Workshop&nbsp;stärkt&nbsp;Kreativität,&nbsp;Kommunikation&nbsp;und&nbsp;die Freude am gemeinsamen Gestalten.14 € / 12 € mit der Klik-Kaart/ 1,50 € mit dem KulturpassVergessen Sie nicht, einen Snack für die Vormittagspause und das Mittagessen mitzubringen oder bei der Anmeldung anzugeben, ob Sie die Möglichkeit nutzen möchten, dass die Kinder im Casino Luxembourg ein vegetarisches oder fleischhaltiges Sandwich (+ Dessert) für 10 € essen. Während der Mittagspause werden die Kinder vom Vermittlungsteam des Casino Luxembourg betreut. Reservation https://nataliebrueck.com/Performance-at-Bangkok-Kunsthalle Fri, 13 Sep 2024 03:43:05 +0000 Natalie Brueck https://nataliebrueck.com/Performance-at-Bangkok-Kunsthalle Performance at&nbsp; Bangkok Kunsthalle&nbsp; <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/637c7fa2cb2516055f9702f02a61117ee6bc4cf42c1721be4e858fc1152577b6/DSC_0031.JPG" data-mid="218003138" border="0" src="https://freight.cargo.site/w/1000/i/637c7fa2cb2516055f9702f02a61117ee6bc4cf42c1721be4e858fc1152577b6/DSC_0031.JPG" /> EN On September 7th 2024 at 4PM I am going to stage ‘Working On The Imaginary Object’, a movement performance. In my piece, I will, together with a group of ten performers, create empty spaces, focusing on what happens between people. Seemingly invisible through the movements of the performers.&nbsp;Collective action is a necessity. Structures become visible through action and are developed further in the process. Yet everyone has their own idea of the object. Everyone has their own idea of the object. Everyone has their own questions.How do we deal with abstract concepts and conflicts? Can we form a community capable of action, capable of responding flexibly and agilely to the situation and shape it through our actions? DE &nbsp;Am 7. September 2024 um 16 Uhr werde ich die Bewegungsperformance „Working On The Imaginary Object“ aufführen. In meinem Stück werde ich zusammen mit einer Gruppe von zehn Performern leere Räume schaffen und mich auf das konzentrieren, was zwischen Menschen passiert. Scheinbar unsichtbar durch die Bewegungen der Performer. Kollektives Handeln ist eine Notwendigkeit. Strukturen werden durch unser Handeln sichtbar und entwickeln sich im Prozess weiter. Jeder hat seine eigene Vorstellung vom Objekt. Jeder hat seine eigenen Fragen: Wie gehen wir mit abstrakten Begriffen und Konflikten um? Können wir eine handlungsfähige Gemeinschaft bilden, die in der Lage ist, flexibel und beweglich auf Situationen zu reagieren und sie durch unser Handeln zu formen? https://nataliebrueck.com/Performance-Workshop-at-Bangkok-Kunsthalle Mon, 12 Aug 2024 08:21:01 +0000 Natalie Brueck https://nataliebrueck.com/Performance-Workshop-at-Bangkok-Kunsthalle Performance - Workshop at Bangkok Kunsthalle&nbsp; <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/c007b1614c3b0b7eeb39e6acf68d324ff5db5dc6158b630e512620bd6f9dbbf6/DSC_0962.JPG" data-mid="216441084" border="0" src="https://freight.cargo.site/w/1000/i/c007b1614c3b0b7eeb39e6acf68d324ff5db5dc6158b630e512620bd6f9dbbf6/DSC_0962.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/d3b5352736af55dd9e73869b968eae25633f740f3fe085109b6750335011e366/DSC_0968.JPG" data-mid="216441188" border="0" src="https://freight.cargo.site/w/1000/i/d3b5352736af55dd9e73869b968eae25633f740f3fe085109b6750335011e366/DSC_0968.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/f4327cf7bef8c4eeb77c3fb0df76a61ebb747a10a31d51bd298b6ab60ff48c24/DSC_0946.JPG" data-mid="216441185" border="0" src="https://freight.cargo.site/w/1000/i/f4327cf7bef8c4eeb77c3fb0df76a61ebb747a10a31d51bd298b6ab60ff48c24/DSC_0946.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/bfee17b41a684068cd2ff3d39bfb45303c20e7e3300be206dae4127a39aeaa04/DSC_0982.JPG" data-mid="216441194" border="0" src="https://freight.cargo.site/w/1000/i/bfee17b41a684068cd2ff3d39bfb45303c20e7e3300be206dae4127a39aeaa04/DSC_0982.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/4448cdf79f7d035c8cd77c60b545c8d9db7a084e251277ef0d76fe14b813e7fc/DSC_0981.JPG" data-mid="216441193" border="0" src="https://freight.cargo.site/w/1000/i/4448cdf79f7d035c8cd77c60b545c8d9db7a084e251277ef0d76fe14b813e7fc/DSC_0981.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/a5323d39bf80a551e7c0f23c639242cc5e4234d1e2934c64cc169abda90878d1/DSC_0979.JPG" data-mid="216441192" border="0" src="https://freight.cargo.site/w/1000/i/a5323d39bf80a551e7c0f23c639242cc5e4234d1e2934c64cc169abda90878d1/DSC_0979.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/b023130e81fdef34da38271a6fad84a5ddfb46613aafc6585b4a7e848a4fd2aa/DSC_0980.JPG" data-mid="216441191" border="0" src="https://freight.cargo.site/w/1000/i/b023130e81fdef34da38271a6fad84a5ddfb46613aafc6585b4a7e848a4fd2aa/DSC_0980.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/2244e55db690f19650f3ee373f4d0df8a72187be4401e82dfa3ff6b53e106a6d/DSC_0969.JPG" data-mid="216441189" border="0" src="https://freight.cargo.site/w/1000/i/2244e55db690f19650f3ee373f4d0df8a72187be4401e82dfa3ff6b53e106a6d/DSC_0969.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/eb575cb5839c46cc91102cfafcc8f0b286957f73b9d624f79712b9bb1b2b4c4a/DSC_0977.JPG" data-mid="216441190" border="0" src="https://freight.cargo.site/w/1000/i/eb575cb5839c46cc91102cfafcc8f0b286957f73b9d624f79712b9bb1b2b4c4a/DSC_0977.JPG" /> <img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/ff13ed3505e24cc7e10acf1e491f058cb84b2e2fd1cb206e82cb6eccfd361eed/DSC_0956.JPG" data-mid="216441187" border="0" src="https://freight.cargo.site/w/1000/i/ff13ed3505e24cc7e10acf1e491f058cb84b2e2fd1cb206e82cb6eccfd361eed/DSC_0956.JPG" /> August, 2024 EN On Thursday, August 16, 2024, I had the opportunity to present myself and my work to a master's degree class from Silpakorn University in the field of art and to lead a performance workshop.It was a great pleasure for me to get to know all the participants and to make new experiences together with them. DE Am Donnerstag, den 16. August 2024 hatte ich die Möglichkeit mich und meine Arbeit einer Masterstudienklasse der Silpakorn University aus dem Bereich Kunst vorzustellen und einen Performance- Workshop anzuleiten.Es war eine große Freude für mich alle Teilnehmenden kennenzulernen und gemeinsam mit ihnen neue Erfahrungen zu machen. https://nataliebrueck.com/Artist-Residence-at-Bangkok-Kunsthalle Fri, 16 Aug 2024 09:44:33 +0000 Natalie Brueck https://nataliebrueck.com/Artist-Residence-at-Bangkok-Kunsthalle Artist Residency at Bangkok Kunsthalle / Art Forest&nbsp; <img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/bd18d1c210de8fa01626d6eb60ed881aca353ff7f757f295070a1892e15dcc06/IMG-20240810-WA0029.jpg" data-mid="216441041" border="0" src="https://freight.cargo.site/w/1000/i/bd18d1c210de8fa01626d6eb60ed881aca353ff7f757f295070a1892e15dcc06/IMG-20240810-WA0029.jpg" />August, 2024 EN I am currently on an artist residency at the Kunsthalle Bangkok. Everything is new and exciting for me and I am very happy to be part of this new project. ‘’Bangkok Kunsthalle is a dynamic, rigorous and accessible cultural institution devoted to art, cinema, music, dance, literature, architecture and other creative languages. Bangkok Kunsthalle represents a new model of art museum. This alternative institution occupies the abandoned Thai Wattana Panich building, a leading printing house that was razed by fire in 2001. The raw, industrial space presents a novel and pioneering platform which mirrors the quality of artworks chosen to be exhibited there. Bangkok Kunsthalle is an artist driven institution, where each new exhibition activates a new space in the brutalist complex. Architectural interventions are informed by the artists, their vision and artworks. Artists invited to exhibit at Bangkok Kunsthalle are commissioned to make site-specific works addressing the building and surrounding area’s rich visual language and cultural history. The institution prides itself in its experimental nature, pushing the boundaries of contemporary art through novel exhibitions and public programmes. At its core, Bangkok Kunsthalle strives to be the focal point of creative dialogue for not only Thailand but South-East Asia as a whole. The institution organises about four exhibitions per year featuring international and Thai artists. Throughout the year it also presents a dynamic public program which includes artists’ talks, lectures, workshops, screenings and readings to contextualise the featured artists’ practices and to address wide cultural topics that are relevant and timely.’’https://www.bangkok-kunsthalle.org/en/aboutDE Zurzeit befinde ich mich im Rahmen eines Künstleraufenthalts in der Kunsthalle Bangkok. Alles ist neu und aufregend für mich, und ich bin sehr glücklich, Teil dieses neuen Projekts zu sein.&nbsp;‘’Die Kunsthalle Bangkok ist eine dynamische, strenge und zugängliche Kultureinrichtung, die sich mit Kunst, Kino, Musik, Tanz, Literatur, Architektur und anderen kreativen Sprachen befasst. Die Bangkok Kunsthalle stellt ein neues Modell eines Kunstmuseums dar. Diese alternative Institution befindet sich im verlassenen Thai Wattana Panich-Gebäude, einer führenden Druckerei, die 2001 durch ein Feuer zerstört wurde. Der rohe, industrielle Raum stellt eine neuartige und bahnbrechende Plattform dar, die die Qualität der Kunstwerke widerspiegelt, die dort ausgestellt werden. Die Bangkok Kunsthalle ist eine künstlerisch getriebene Institution, in der mit jeder neuen Ausstellung ein neuer Raum in dem brutalistischen Komplex aktiviert wird. Die architektonischen Interventionen werden von den Künstlern, ihren Visionen und Werken beeinflusst. Künstler, die eingeladen werden, in der Bangkok Kunsthalle auszustellen, werden beauftragt, ortsspezifische Werke zu schaffen, die sich mit der reichen Bildsprache und der Kulturgeschichte des Gebäudes und der Umgebung auseinandersetzen. Die Institution ist stolz auf ihren experimentellen Charakter, mit dem sie die Grenzen der zeitgenössischen Kunst durch neuartige Ausstellungen und öffentliche Programme verschiebt. In ihrem Kern strebt die Bangkok Kunsthalle danach, ein Brennpunkt des kreativen Dialogs nicht nur für Thailand, sondern für ganz Südostasien zu sein. Die Institution ist stolz auf ihren experimentellen Charakter, der die Grenzen der zeitgenössischen Kunst durch neuartige Ausstellungen und öffentliche Programme verschiebt.In ihrem Kern ist die Bangkok Kunsthalle bestrebt, ein Brennpunkt des kreativen Dialogs nicht nur für Thailand, sondern für ganz Südostasien zu sein. Die Institution organisiert etwa vier Ausstellungen pro Jahr mit internationalen und thailändischen Künstlern. Das ganze Jahr über präsentiert sie außerdem ein dynamisches öffentliches Programm mit Künstlergesprächen, Vorträgen, Workshops, Filmvorführungen und Lesungen, um die Arbeit der ausgestellten Künstler zu kontextualisieren und breite kulturelle Themen anzusprechen, die relevant und zeitgemäß sind.’’ https://www.bangkok-kunsthalle.org/en/about https://nataliebrueck.com/Solo-Exhibition-Rander-dieser-Bilder-1 Tue, 30 Jan 2024 00:29:01 +0000 Natalie Brueck https://nataliebrueck.com/Solo-Exhibition-Rander-dieser-Bilder-1 &nbsp;<img width="627" height="177" width_o="627" height_o="177" data-src="https://freight.cargo.site/t/original/i/fbe613322c62b79aa84dccda1c26011ca9f0382a7a90437f669c7162c12c1a15/image005.gif" data-mid="203127249" border="0" src="https://freight.cargo.site/w/627/i/fbe613322c62b79aa84dccda1c26011ca9f0382a7a90437f669c7162c12c1a15/image005.gif" /> Design: Hannes Brischke RÄNDER DIESER BILDER&nbsp;23. FEBRUAR BIS 26. MAI 2024DE Angelehnt an Musikalben produziert Natalie Brück das audiovisuelle Album „Ränder dieser Bilder“ für ihre erste institutionelle Einzelausstellung. Damit zieht sie uns in einen Sog aus bewegten Bildern, dem Klang ihrer Stimme, dröhnenden Sounds, harten und soften Beats und melodischen Passagen zwischen Momenten der Stille, des Zögerns und Zweifelns.Auf uns prasseln permanent Vereinfachungen komplexer Zusammenhänge ein. Was ist tatsächlich richtig, was falsch? Was ist mit den Zwischentönen von Sprache und Bildern – online wie offline? Was passiert an den Rändern dieser Bilder? Als Ort der kritischen Zuversicht arbeitet die Stadtgalerie seit 2021 an einer wünschenswerten Zukunft. Natalie Brück rückt in ihrer ersten institutionellen Einzelausstellung Gleichzeitigkeit in den Fokus. Ab März 2024 arbeitet die Künstlerin mit unterschiedlichen Menschen an einem künstlerischen Format, was im 2. OG der Stadtgalerie Form annehmen wird. EN Inspired by music albums, Natalie Brück is producing the audiovisual album "Ränder dieser Bilder" for her first institutional solo exhibition. She draws us into a maelstrom of moving images, the sound of her voice, booming sounds, hard and soft beats and melodic passages between moments of silence, hesitation and doubt, and we are constantly bombarded with simplifications of complex relationships. What is actually right, what is wrong? What about the nuances of language and images - online and offline? What happens at the edges of these images? As a place of critical confidence, the Stadtgalerie has been working on a desirable future since 2021. Natalie Brück focuses on simultaneity in her first institutional solo exhibition.From March 2024, the artist will be working with different people on an artistic format that will take shape on the 2nd floor of the Stadtgalerie. https://nataliebrueck.com/The-Ground-Of-Your-Heart-You-Can-Sit-On-1 Mon, 11 Sep 2023 18:37:40 +0000 Natalie Brueck https://nataliebrueck.com/The-Ground-Of-Your-Heart-You-Can-Sit-On-1 &nbsp;<img width="1855" height="1139" width_o="1855" height_o="1139" data-src="https://freight.cargo.site/t/original/i/8b0c2af0ec1b7ba54651dfe109a1655ca6e62c6d571b178813631e41cda16de6/the-ground-of-your-heart-you-can-sit-on_productionstill_shaky.jpg" data-mid="190413324" border="0" src="https://freight.cargo.site/w/1000/i/8b0c2af0ec1b7ba54651dfe109a1655ca6e62c6d571b178813631e41cda16de6/the-ground-of-your-heart-you-can-sit-on_productionstill_shaky.jpg" /> Thursday, September 14th at Kanya &amp; Kage Gallery, Eisenbahnstraße 10, Berlin Opening Of The Exhibition of Charlie Stein - Like Burning Snow: 7 P.M. to 10 P. M.&nbsp; Performance: 8 P. M. Deniz Ilhan, Paulette Penje &amp; Natalie Brück We (Paulette Penje and me) warmly invite you to our performance The Ground Of Your Heart You Can Sit On at Kanya &amp; Kage Gallery, Berlin. The performance takes place in the frame of the exhibition Like Burning Snow by the artist Charlie Stein. That evening two performances will be fading into each other. The first position will be the dancer Deniz Ilhan with Waltz, followed by us.&nbsp; https://nataliebrueck.com/Videart-Miden Tue, 13 Jun 2023 20:14:26 +0000 Natalie Brueck https://nataliebrueck.com/Videart-Miden &nbsp; <img width="2481" height="1754" width_o="2481" height_o="1754" data-src="https://freight.cargo.site/t/original/i/951e396a10f4fcf8ada1c794a5d6e2410e83a27443cb0fdbe2eb0b036a2b0ef0/Poster_Video-Art-Miden_2023_-Web.png" data-mid="183740497" border="0" src="https://freight.cargo.site/w/1000/i/951e396a10f4fcf8ada1c794a5d6e2410e83a27443cb0fdbe2eb0b036a2b0ef0/Poster_Video-Art-Miden_2023_-Web.png" />Video Art Miden is once again getting ready to “flood”&nbsp;Kalamata&nbsp;with contemporary video art, in&nbsp;a&nbsp;4-day screening event,&nbsp;from July 6 to 9, 2023, activating a different part of the city each day. Audiovisual and artistic experimentation, rhythm, imagination, color, poetry, video dance, performance, animation, artificial intelligence, personal narratives, contemporary social-political-existential reflections and images from the future meet in a rich international program, which traces the trends of our time on a global level, through the work of established as well as emerging young artists. Miden‘s curatorial team, choosing from 1,400 works submitted to this year’s open call to the international artistic community, but also peresenting special selections prepared by invited festivals and curators from abroad, presents in Kalamata more than&nbsp;130 works from 30 countries&nbsp;from all over the world, divided into thematic sections and tributes. The event includes public evening screenings&nbsp;in different open spaces every night (Aristomenous pedestrian street, seaside screenings at the Marina and the eastern beach) as well as&nbsp;morning events at the Archaeological Museum of Messinia, which include presentations and talks by&nbsp;invited artists and curators, audio-visual presentations and tributes. The events are held in collaboration with the New Film Club of Kalamata – Filmhouse&nbsp;and the organization&nbsp;K.A.NE. (Social Development of Youth), with the support of the&nbsp;Municipality of Kalamata&nbsp;and the&nbsp;Municipal Cultural Organization FARIS, as well as private partners. The morning events are held in co-organization with the&nbsp;Ephorate of Antiquities of Messenia&nbsp;and the&nbsp;Archaeological Museum of Messenia. This year the festival collaborates with the Portuguese video art &amp; performance festival FONLAD&nbsp;to present a “Best of” selection from 2022’s edition curated by Jose Vieira&nbsp;and&nbsp;Sergio Gomes, and is also hosting&nbsp;talks and screenings&nbsp;by the experimental cinema organization wysiwyg from The Netherlands (with curator Mike Kokken&nbsp;as a guest speaker) and curator&nbsp;Alessandra Arno&nbsp;(Italy), who will present the development of her research on the gendered audiovisual production of Mediterranean, Middle Eastern and North African regions, a research which she is conducting with the support of the Italian Council&nbsp;and in which Video Art Miden participates as a cultural partner. In this context, a video art selection under the title “Femininity”, curated by Fereshteh Alamshah, will also be screened, with 11 works by&nbsp;Iranian women artists, which takes on particular significance considering that women’s expression in the country is subjected to restrictions that not only prohibit the exhibition of these works in Iran but they even make it difficult to transfer the videos to other countries via the Internet. From Greece, well-known artists who deal with video, video-performance or mixed media take part in the screenings, such as Makis Faros,&nbsp;Philippos Tsitsopoulos,&nbsp;Katerina Athanasopoulou,&nbsp;Makis Kyriakopoulos,&nbsp;Smaragda Nitsopoulou, the&nbsp;BDKM&nbsp;team (among the members of the team are&nbsp;Dimitris Batsis&nbsp;and&nbsp;Michalis Kotaidis&nbsp;who had won 1st prize in the video art category at the Florence Biennale in 2021) and many others, while the renown Greek visual artist and director&nbsp;Nikos Giavropoulos&nbsp;will carry out a retrospective presentation of his work, in which he uses elements of the ancient Greek tradition and the history of art to express contemporary issues and concerns, with his characteristic and recognizable style. The program of this year’s festival includes, in summary: -two selections dedicated to videodance&nbsp;and&nbsp;videoperformance, which explore the various versions of body, movement and space, curated by&nbsp;Margarita Stavraki. -a section entitled “Shhhhhh…” dedicated to silence and its particular conceptual narratives, curated by Martha Zoupa. -two sections dealing with issues of human coexistence with artificial intelligence, algorithmic reality and the different versions of our technological future: “Algorithmic lies”, curated by Nikos Podias&nbsp;and “Future memories”, curated by&nbsp;Gioula &amp; Olga Papadopoulou. -selections that explore the human condition in various ways, sometimes with humor, sometimes scathingly and sometimes poetically, such as “Happiness is a warm gun”, curated by Olga Papadima, with works that search for the meaning of life and happiness in an aggressively oppressive reality, and the selections “Thinker” and “Chasing my tail” (curated by Olga Papadopoulou), with works that either express doubt or depict the Sisyphean dimension of life, giving us food for thought. -thematic units that deal with the concept of human freedom from a different perspective: “To the Zoo”, a selection that focuses on the relation between human, nature and the animal kingdom, curated by Maria Bourika, and “Fuck off”, conceptualized and co-curated by&nbsp;Danny Kargas, a unit that focuses on the right to diversity, acceptance and the freedom (and liberation) of the human body. Issues of human rights and freedom are also the main theme in the selection of short films curated by&nbsp;Vassilis Papaefstathiou&nbsp;and the&nbsp;New Film Club of Kalamata-Filmhouse, which will “close” the festival screenings on the last night. -a more surreal note is given to the program with the selection “Who the hell is Alan Wu” (curated by Gioula &amp; Olga Papadopoulou), with works sharply commenting on reality through symbolic and surreal images that reflect it as if in a distorting mirror, with a (sometimes bitter) humorous tone. Curatorial team: Maria Bourika, Giorgos Dimitrakopoulos, Danny Kargas, Olga Papadima, Gioula Papadopoulou, Olga Papadopoulou, Nikos Podias, Vassilis Papaefstathiou (Kalamata Filmhouse), Margarita Stavraki, Martha Zoupa Art directors: Gioula Papadopoulou &amp; Olga Papadopoulou Days &amp; hours: Morning zone: Friday 7/7 and Saturday 8/7, Archaeological Museum of Messenia, 11:00-15:00 Evening screenings: Thursday 6/7, Bandapart Recording Studio (inside), 20:00-23:00 Friday 7/7, Aristomenous pedestrian street, Old Cityhall (open air screenings), 21:30 Saturday 8/7, Vista Marina (open air screenings), 21:30 Sunday 9/7, Thalassa (seaside screenings), 21:30 Free admission. View or download the complete program (in English) here Press Kit https://nataliebrueck.com/MM-M-Saarbrucken Sun, 02 Jul 2023 18:56:34 +0000 Natalie Brueck https://nataliebrueck.com/MM-M-Saarbrucken <img width="630" height="636" width_o="630" height_o="636" data-src="https://freight.cargo.site/t/original/i/549deb765d8b6bc269f943eb19ce2ba59ad8a0a1d794bc2660f113d0195a1f75/Screenshot-2023-07-02-at-20.56.04.png" data-mid="183945057" border="0" src="https://freight.cargo.site/w/630/i/549deb765d8b6bc269f943eb19ce2ba59ad8a0a1d794bc2660f113d0195a1f75/Screenshot-2023-07-02-at-20.56.04.png" /> Die Veranstaltung nennt sich da - da -da, und ist organisiert von dem Designbüro&nbsp;MM, M in Saarbrücken, welches sich auf Publikationen, Typografie visuelle Identitäten, Webseiten und Konzepte für Kunst, Architektur und Kultur spezialisiert hat.&nbsp; DE Kein Begriff. Ein Sprechstück über Stimmen, Richtungen, Leitungen und Hände, die sich berühren: „Ein Gedanke versucht mir zu folgen, während ich mit zehn anderen wegrenne, von denen ich alle mindestens einmal aus den Augen verliere oder die sich untereinander in die Quere kommen. Ich kann mich nicht zwischen harten Schnitten und weichen Blenden entscheiden. Gedanken fallen aus dem scheinbaren Behälter raus, in ein plötzliches Ende hinein, durch einen Anfang hindurch, nach draußen.“Wir laden herzlich ein zu einer Performance von Natalie Brück aus Berlin. Natalie zieht uns in einen Sog aus Beobachtungen und Gedanken: „Die Bilder und Worte fließen, stocken und springen …“Zum bestuhlten Sprechstück (seid bitte pünktlich ☺️) servieren wir im Anschluss Musik, Drinks und Austausch all night long! 19:00 Uhr — Eröffnung20:30 Uhr — Performance EN No Words. A spoken word piece about voices, directions, connections and hands that touch each other. “One thought tries to follow me while I run away with ten others, all of which I lose sight of at least once or which get in each other’s way. I can’t decide between hard cuts and soft fades. Thoughts fall out of their apparent container, into a sudden void, through a beginning, outside.” We (MM, M) cordially invite you to a performance by Natalie Brück from Berlin. Natalie pulls us into a space of observation and thought: “Images and words flow, stop, and jump…” There will be drinks, music and lots of networking opportunities after the performance (seated, so please be on time! ☺️)&nbsp; all night long. 1.7.2023 7 PM — Doors open 8:30 PM — Performance MM, M / Großherzog-Friedrich-Str. 58 / Saarbrücken –––– In Kooperation mit / In cooperation with @dock11.saarland